The Game has released his new album Drillmatic, which features 31 songs and a stacked list of big name guests. It also includes a new song called “Black Slim Shady,” which is an over 10-minute elaborate diss track targeting Eminem. Throughout the song, the Game makes references to Eminem’s biggest hits, matching the rapper’s flow and parodying his history of pop cultural references while taking shots at him. Listen to the song below.
The track begins with a skit where the Game is being driven by an Uber driver, who is revealed to be Matthew, the younger brother of the titular narrator in Eminem’s “Stan.” Matthew, as portrayed in “Black Slim Shady,” is not a fan of Eminem’s more recent work. The Game, of course, becomes aggressive with Matthew, who drives the rapper to Eminem’s home.
It’s a song that includes jabs about Eminem’s history with drug addiction and raises questions about his history of cultural appropriation in light of his fashion choices and history of surrounding himself with Black artists. He makes specific references to 50 Cent, who the Game has been feuding with on and off for the past 17 years. He also mentions Dr. Dre, Eminem’s daughter Hailie, his ex-wife Kim, his parents, and his manager Paul Rosenberg. At one point, the Game argues that Big Sean is Detroit’s best rapper.
“Black Slim Shady” ends with a taunting challenge: “Mr. Shady, don’t be shady/Pick that pen up, don’t be lazy/Call up Dre and get that Dre beat.” Pitchfork has reached out to Eminem’s representatives for comment.
For months, the Game has been teasing the new song. He explained in an April interview on Fresh Pair that his interest in beefing with Eminem is a direct result of his feud with 50 Cent. “Because 50 can’t rap, so I’ve gotta go a level up and challenge the better rapper,” he said (before couching his criticism by praising the TV shows that 50 Cent has produced in recent years). “Nobody really takes shots at Eminem off this pre-conceived notion that he’s better than everybody. Well I want action, and I want it today.” He continued:
Source : Pitchfork